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Diane Curry (born February 26, 1938) is an American operatic mezzo-soprano who is particularly known for her performances of the works of Richard Strauss, Richard Wagner, and Giuseppe Verdi. She was notably the mezzo-soprano soloist on the 1987 recording of Verdi's ''Requiem'' by the Atlanta Symphony Orchestra & Chorus and conductor Robert Shaw which won the 1988 Grammy Award for Best Choral Performance. ==Life and career== The daughter of Frances and Ashton Curry, Curry studied vocal music at Westminster Choir College where she graduated with a B.A. in Music (1960) and a M.A. in Music (1961). She spent the next decade teaching on the voice faculties at Westminster and at the University of Delaware before joining the roster of artists at the New York City Opera where she performed regularly from 1972 to 1981. Roles she performed with the NYCO included Annina in ''Der Rosenkavalier'', Berta in ''The Barber of Seville'', Emma Jones in ''Street Scene'', Enrichetta in ''I puritani'', Magdalena in ''Die Meistersinger von Nürnberg'', Mama Lucia in ''Cavalleria rusticana'', Mary in ''The Flying Dutchman'', Neris in ''Médée'', Olga in ''Eugene Onegin'', the Second Lady in ''The Magic Flute'', Suzuki in ''Madama Butterfly'', and the title role in ''Carmen'' among others. In 1976 Curry created the role of Mildred in the world premiere of Gian Carlo Menotti's ''The Hero'' at the Opera Company of Philadelphia.〔Bender, William, ("Music: Souvenir Opera" ), ''Time'', 14 June 1976〕 She subsequently returned to Philadelphia regularly through 1995, portraying Geneviève in ''Pelléas et Mélisande'', Herodias in ''Salome'', La Frugala in ''Il Tabarro'', Mistress Quickly in Verdi's ''Falstaff'', the Princess in ''Suor Angelica'', and Zita in ''Gianni Schicchi''. In 1979 Curry made her debuts at the Opera Theater of Saint Louis as The Voice in Ottorino Respighi's ''Lucrezia'' and as Madelon in ''Andrea Chénier'' at the Lyric Opera of Chicago.〔(【引用サイトリンク】title=Cast Lists 1970–1979 )〕 She subsequently returned to Chicago in the roles of Federica in ''Luisa Miller'' (1982), Katisha in ''The Mikado'' (1983), and La Cieca in ''La Gioconda'' (1987).〔(【引用サイトリンク】title=Cast Lists 1980–1989 )〕 From 1981-1986 she performed annually in Seattle Opera's first production of Wagner's ''The Ring Cycle'' under director Speight Jenkins, portraying Fricka in ''Das Rheingold'' and ''Die Walküre'' and Waltraute/Second Norn in ''Götterdämmerung''.〔(【引用サイトリンク】title=Diane Curry )〕 In 1989 Curry made her debut at the Metropolitan Opera as The Nurse in Strauss' ''Die Frau ohne Schatten'' under the baton of Christof Perick. She returned to the Met several more times in her career, portraying the Innkeeper in ''Boris Godunov'' (1998), the Mother in ''Lulu'' (2001), the Housemaid in ''War and Peace'' (2002), and the Aunt in ''Jenůfa'' (2003).〔(【引用サイトリンク】title=Diane Curry )〕 In 1990 she made her debut at the San Francisco Opera as Ulrica in ''Un ballo in maschera''.〔(【引用サイトリンク】title=Diane Curry )〕 Curry has also performed in leading roles internationally, including performances at the Arena di Verona, Bavarian State Opera, Deutsche Oper Berlin, Hamburg State Opera, La Scala, Maggio Musicale Fiorentino, and the Paris Opera among others. In 1976 she made her debut at the Festival dei Due Mondi as Bianca in Benjamin Britten's ''The Rape of Lucretia''.〔(【引用サイトリンク】title=The Rape of Lucretia by Britten, Spoleto 1976 )〕 In 1982 she made her debut with the Canadian Opera Company as Mistress Quickly in Verdi's ''Falstaff''. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Diane Curry」の詳細全文を読む スポンサード リンク
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